This
photo from the Guardian shows Bill Phillips explaining his sculpture depicting the mechanics of the British economy. Though not a professed artist, Phillips certainly blurred boundaries between art, math, and economics.
Aesthetic Computing is a relatively new field exploring how concepts in math and computer science might be articulated aesthetically. This caused of British economics caused quite a sensation when it debuted at the London School of Economics in 1949.
Phillips eventually became a professor at the London School of Economics and produced approximately twelve versions of his working hydrological sculpture machine, dubbed
MONIAC.
This photo from the Guardian shows Bill Phillips explaining his sculpture depicting the mechanics of the British economy. Though not a professed artist, Phillips certainly blurred boundaries between art, math, and economics.
Aesthetic Computing is a relatively new field exploring how concepts in math and computer science might be articulated aesthetically. This caused of British economics caused quite a sensation when it debuted at the London School of Economics in 1949.
Phillips eventually became a professor at the London School of Economics and produced approximately twelve versions of his working hydrological sculpture machine, dubbed MONIAC.
Lewitt didn't like to use the word "sculpture" to describe his "structures."